Vertigo Movie

"Vertigo" is one of the first films to seriously consider the player has a strange relationship with the public (especially women audience is male player), and are visually exciting and intellectually stimulating, which is excessive plot never bother me to be . This film is the male obsession is the "ideal" image of women: reverent, beautiful, mysterious, and the influence of films on similar themes, such as "Persona" and "Mulholland Drive." Laura Mulvey (in "Visual Pleasure and Film description"), with special attention to the risk Madeline / Judy causes, and I agree with him, when Mulvey says: "He knows her work, and just play to play through which keep Scottie's erotic interest. "Where is the mystery woman disappears, it becomes less threatening and therefore less sexually attractive. This element of risk / gender is both a classic image of Marlene Dietrich: persistent smoke and his eyes focused on you. In the first half of Vertigo, Madeline is a variant of this kind, but more vulnerable, but the second part, we see that the real "girl." He is to what the men and women have some sort of threat or sexual predators, who are often exhausted.

Scottie's obsession is no longer a real woman, but on the whole, a symbol that is not deliberately made by Judy and Mr. Elster. He likes them because they do not know that they do not know what the last "secret", the women, the risk always needs a man to rescue him. We, the public, in parallel all the time, Scotty has a sexual relationship with Madeline is also the attractiveness of women mystery, his fake "complete", which affects the image of our interest in this film, and possibly Hitchcock shows that the many films. It is based on erotic entertainment, perhaps because sex is so much fun.

He was a brilliant casting decision to play Scottie Stewart. He is a good man of his previous films, we know that from the beginning. If you think the mosquito brasero (What is this doo-hickie? ") Is simply" Jimmy Stewart "(as we saw this scene, the second vision, which is something Chillier), the average tax rate. We (I think it public men) Scott to the public the story opens our understanding of the situation, just like you, and wish, if he does not, he's one of us. Madeline was insane? Is it the ghost? If the first Hitchcock lets us see other view, the position of Scottie important point is the film. We can see that Judy is Madeline, and in fact now we have a problem: this is erotica, the mystique is gone, and we were an independent Scottie. Now, we see that it was not, and Scottie to "win" in this case because the profit would be a sign for the association, who have never done and now will never exist. But this concept is not enough that we fully see the possibility of "Carlotta" some reemerging. When Judy finishes his transformation back Madeline shall enter the room lit as Ghost in the green mist, and we will be happy again. This is the same idea, that it may be that the pressure on the reality that it is true and it is still difficult to shake, we want the thing that is not on the list. If not, that thing is the anger and Scottie (and our) justified? us wrong, this will take, but it is really us? The is a fact that most of "us" is probably foreign to us and his love for the business. Before we talk about (by Scottie), we have my eyes on the screen, and Scottie is a collective male fantasy, which is part of the fuel film made. films are one of the first experiences with children that can be seen that a woman without her eyes to him, is an opportunity for us to Mulvey "the stare" unblinking eye, in a sentence. It seems that the "Vertigo" Hitchcock tries to demystify the collective male fantasy, and we examine the roots and we also sympathize problems that women who are trying to meet this role. "

Many provocative ideas in this film more than the plot problems. Yes, yes "crazy" the public is one of the means in our heads for a 'false' story Super involvement in the natural and then stacked in the 'real' big back. Hitchcock, but was always on the top floor. Even when we see that the "whole truth", that still lures us back to the mystery and sexual danger, because they are less risk to the sexual woman is a nun of each, as it has in the past and the other was his incredible kill Madeline / Judy / Carlotta forever. This is the end of ice cold, but it is effective: the end of the defeat of others. Madeline is a criminal case, but Scott and men of crime, the development of women: trying to make "characters", which is a fiction. There are two ways in which women Hitchcock: either try to live with what they wanted men Judy is trying to do, or reject it entirely, as in the case of a nun. For all the psycho-sexual euphoria, "Vertigo" on the side of women. Hitchcock is not quite ready for his fantasies, but at least willing to recognize as such.