Finding Design Inspiration in Old Houses

Posted Oct 30, 2009 by Ronlbrenner / comments 0 comments / Print / Font Size Decrease font size Increase font size

On my trips away from home I of course like to see the local architecture. I try to take snap shots of things I see that I might draw some inspiration from later on. Anyway I thought I'd show you an example from this recent trip and illustrate what I am trying to learn.

My better half and I just got back home from a short trip to theNapa Valley area. We don't really go for the wine, although that's nice too. For us it is really about the scenery. The area really has such a subtle beauty that we just love. On our trips I of course like to see the local architecture. I try to take snap shots of things I see that I might draw some inspiration from later on. Anyway I thought I'd show you an example from this recent trip and illustrate what I am trying to learn.

Here is a snap shot of the gable end of a historic home (the Kelley house) in Mendocino. I love the simplicity in form and the strength of it's details. This is a key to good design. If you have a simple form you need to pay attention to the details. Here are my thoughts:

  • The proportions of the gable are quite nice - neither too slender or too squat with roof pitch neither too steep or too flat.
  • I love the depth of the gable end roof overhang (this is called the rake end). The brackets underneath provide a sense of support for the overhang.
  • The crown molding at the fascia creates additional shadow line and adds a subtle detail.
  • A wide frieze board (that's the white trim on the wall below the overhang) provides a nice transition between the siding and roof overhang.
  • The siding lap is nice and narrow. The proportion of the entire gable would be altered if the siding had a wider lap.
  • I like the narrowness of the windows, and the fact the pair of windows are separated. Look closely and you can see a subtle little "pilaster" detail at the jambs and mullion. Also the trim at the head projects outward creating additional shadow line and interest.
  • One thing I don't care for here is that the upper windows are nearly identical to the lower windows. I would rather see a bit of hierarchy - with the lower windows being a bit larger and more detailed than the upper windows. Another thing that bothers me slightly is the upper window intrudes upon the frieze board. It looks a little "crowded".
All in all it's a very pleasant composition and I can take away some good thoughts that I can apply on a future design.
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